I was sent excellent shots of some of Keith’s paintings.

I decided to let the amazing textures do the talking, counterpointing them with super-clean typography, so as not to interfere, & I used some areas from the paintings to create the background texture behind the type.

An alternative option had images in all four quarters, (a look which the artist said had the feel of a medieval carnival), but ultimately this version was deemed to carry the information more confindently.